Biography

Tamar Gedevanishvili was born on March 1, 1969, in Tbilisi, Georgia.

1988–89: Studied in Karaman Kutateladze's workshop.

1989–95: Attended Tbilisi State Academy of Art, initially enrolled in the Faculty of Architecture and later pursued studies in the Faculty of Graphic Design.

Since 2021, she has been serving as an associate professor at GIPA (Georgian Institute of Public Affairs), specializing in Drawing, Visual Communication/Advertising, and Communication Design.

Since 2002, she has worked as a graphic designer in various advertising companies.

Tamar held her first solo exhibition in 1987 at the Merani Publishing House.

In June 2022, she presented a solo exhibition titled Improper Intersections at the Museum of History, Karvasla. The exhibition, curated by Lika Mamatsashvili, featured a collection of acrylic paintings and graphic works.

In 2023, Tamar actively participated in the Free City project, a collaborative initiative by Georgian artists in solidarity with the Ukrainian people.

On May 6, 2023, she showcased an art performance titled Connections, dedicated to Europe Day and implemented by the European Union and the United Nations Development Programme. The polyptych presentation was one of the highlighted works at the Expo Georgia Pavilion, curated by Khatuna Khabuliani.

From June 8 to 12, 2023, Tamar participated in the Our Times group exhibition, organized by the Kettari Foundation and curated by Khatuna Khabuliani and Elichka Nadareishvili.

Closing the year, from December 19, 2023, to January 14, 2024, she contributed to the joint exhibition Holiday/Fiesta at n9Gallery, curated by Maka Iovadze. The exhibition featured three works from the Improper Intersections series, including a four-part panel measuring 200 x 140 cm, and two additional works sized 42×30 cm, all created using paper and acrylic.

April 19 – May 10, 2024 – Group exhibition of modern Georgian artists, Renovation, in Kutaisi at the David Kakabadze Fine Art Gallery. Curated by Eliso Chogovadze and Mamia Tkeshelashvili. Tamar presented two works: 1. A graphic work from the series For a Whole Life (21 x 30 cm, paper, pen), 2. A painting from the series Improper Intersections (80×60 cm, paper, acrylic).

May 26–30, 2024 – The Art Festival of Kardanakhi at Ampelo Resort. Founded by Guram Makhoshvili. The event included workshops, outdoor sessions, and meetings with students. Tamar participated and created the painting Ode to Joy, which, along with other artists' works, was donated to the Kardanakhi Museum of Modern Art for permanent exhibition.

August 23–30, 2024 – Under the Sky of Georgia project, dedicated to Georgians from Fereydan, held at the Tbilisi National Folklore Center, curated by Mamuka Tsutskiridze. Tamar participated with her work Kutaisi Mon Amour. The artworks of 100 artists were later transferred to the Martkof Museum in Fereydan for permanent exhibition.

August 23–30, 2024 – Home Georgian Women Artists’ Group Exhibition in Basel, Switzerland. Organized by the Basel Lyceum Club in collaboration with the Lyceum Club of Georgia (initiated by Nino Gamsakhurdia and presented by Tbilisi’s n9Gallery, owned by Maka Iovadze). The exhibition was curated by art critic Sophie Keburia. Tamar presented her Life and Love, series (four canvases, each measuring 50 x 70 cm) along with graphic works.

2024. October – Joint art panel Strong Georgia created by Georgian artists. The panel served to deepen European values and democratic processes in Georgia. One of the participants. The work is a part of the panel, 50x70 cm, acrylic, canvas.

2025. January 28 – We Color Georgia – a protest charity exhibition-sale of artists on Rustaveli Avenue to protect democratic values. The works of various artists presented in front of the Parliament reflected the events that have developed in Georgia in recent months. One of the participants. The work entitled – No Justice, No Peace – was purchased by the famous doctor and fighter for democracy Vazha Gaprindashvili. The entire amount was transferred to the Fund for Victims of the Regime.

2025. February – Spain, Hervás / Baños de Montemayor, music festival for young pianists. Ear Valle del Ambroz Music Festival, 2025 Founder of the festival Conservatorio Superior de Música de Badajoz Alexander Kandelaki, organizer Eduardo Mira Anzola. Work performed: Support for the visual part of the festival – original artwork/symbol – acrylic, paper, created only for this festival, as well as creation of the EAR Valle del Ambroz Music Festival logo, poster design, integration into social networks.

2025. March 17-21 – Tbilisi State Academy of Arts, group exhibition – Qart1 – organized by the Artists' Guild, curators Giorgi Gugushvili, Ramaz Razmadze. Using digital technologies, in particular, a virtual viewing of works with a Qr code reader, as well as getting acquainted with the artist's biography and other works. One of the participants. Presented work – Given Time, 50 x 70 cm, acrylic, paper.

May 14, 2025 – Charity group exhibition-sale for #Elene organized by Collect Art Gallery and N9 Gallery. Gallerists Maka Gotsiridze, Tamar Khelashvili, Maka Iovadze. Many artists and visitors participated in the exhibition. Among them, several paintings and graphic works by Tamar Gedevanishvili were presented. The proceeds from the sold works were completely transferred to a special account allocated for Elene.

June 1, 2025 – A group exhibition of graphic works titled Drawings, from the private collection of artist and gallerist Maka Gotsiridze, was opened at Collect Art Gallery, curated by Tamar Khelashvili. Several graphic drawings by Tamar Gedevanishvili from this collection were also exhibited at the exhibition.

“The exhibition Improper Intersections will inevitably remind you of the recurring theme of Marcel Proust’s writings: psychological and emotional states of remembering things past. The artist draws utterly subjective and intimate moments from her memory and places them in a different context.”

Khatuna Khabuliani
PhD in Arts

In the Media

Improper Intersections

6 June 2022

“At times we want to displace our sensations that we have experienced in certain circumstances, and locate them onto an entirely different surface bringing about an ‘improper’ coalition or mixture. Where can we draw a line between reality and these sensations? Which surface are we then standing on right now?

If we envisage objects as a space of thoughts and ideas, as a rigid sensation that has stayed in the same juxtaposition and combination in which we had left it; if we envisage them as an investment made by our thoughts that we have to displace and adjust to new surfaces and sensations, where will we end up?”

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About Culture

29 June 2022

“Is culture a pressure on the artist? One involuntarily recalls the Dadaist movement of the early 20th century, whose participants did not strive to create something valuable or to rely on such levers as society, morality, ethics, religion... but strove to free themselves from this “pressure”, likening themselves to a child who saw the world for the first time, and out of it arose a vague combination of sounds - “dada”, meaning nothing, purity.”

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Studio Visit

11 July 2022

“I often hear stories about how a person lives an ordinary life, and then something happens in their life and they perform an act that reveals other qualities. Maybe that's why I put them in different environments: sometimes I take them out on the street, sometimes I send them to a factory... It's as if I'm looking for what they're doing here...

I am constantly looking at a person and I want to unravel their reality, which I know I can't unravel, it's inexplicable, but I still want to understand where their limits are, what they are capable of.”

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Fiesta

19 December 2023

“There is a feeling in life that you carry with you all the time. It is not connected with time, you do not remember it, but it exists with you, you do not forget it, and it will always be with you.

It may be from childhood or something later, but it is indelible and vivid. To me, it's a celebration that a person carries with them all the time. I would say, “an unbreakable holiday,” as Hemingway would say.”

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Studio Visit

27 January 2024

“My main subject of research is human. I am interested in people and I don't like to express my emotions directly. I am more interested in how my emotions are reflected in human beings and I try to show them from that point of view.

Perhaps existentially I'm more focused on time and human existence in that time. Human attempts to do something just fascinate me, and I want to express that, our life unfolding in time.”

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